#80 – JJ – Honduran Rosewood/German Spruce
#80 is a spec guitar that will make its debut at The Artisan Guitar Show in April 2025. Features insanely figured Honduran Rosewood and a premium German Spruce top.
Honduran Rosewood Back & Side Set for Jewitt OM-C
Fitting of the 3 rim pieces to the mold before gluing heel block and tail block
Laminated sides layup - Outer .60" Honduran Rosewood, inner .50" quartersawn white oak, inner .20" cherry.
Gluing Rims to the Heel Block
Finished Rosette
Finished Mosaic Rosette
Gluing the Sound Hole Veneer
Braced Top ready to glue to body
Body gets its neck for the first time!
Duplicating the rosette theme on the end wedge
Inlay for the back of the peghead
First round of clear coats really start to show off figure and color
Close up of Rosewood Binding and Flame Maple purfling
Inlay for peghead - note the white veneer under the rosewood and the neck painted black.
#79 – OM-12SB – Torrified Curly Maple/Engelmann Spruce
#79 is a spec guitar that will make its debut at The Artisan Guitar Show in April 2025. Features Torrified Curly Maple and a AAAA Engelmann Spruce top with a gorgeous Jewitt Sunburst. Custom blue mosaic rosette and end wedge.
Shellacked Interior Before Attaching Top
Gluing the top to the back and sides using a go-bar deck and clamps.
Positioning the Peghead Plate and Fingerboard. These both have white purfling lines so they must be perfect to line up.
Measuring the neck angle.
Finished Wedge in Dyed/Stabilized birch burl.
Measuring the frequencies of the body, the top and the back so everything is on target.
Blue rosette now ops with a black background!
The colors are now all coming together.
Neck gets a sunburst and the back just gets clear finish, no stain required.
#76 – OM-C Cocobolo/Tunnel 13 Redwood
#76 is a client commission and his second Jewitt Guitar. Features perfectly quarter-sawn Cocobolo and Tunnel 13 Redwood, Brazilian Rosewood bindings, and a custom rosette with a figured Ziricote fretboard.
Back after glue up with epoxy and sanded to final thickness. Laying out for sawing.
Linings being glued to sides.
Back getting Sitka Spruce braces
Interior of all Jewitt Guitars are sealed with satin shellac. The top is not.
Segmented pieces of spalted maple before cutting out with circle cutter
Top braced and ready to be glued on.
Front view before cutting binding channels
Back view before cutting binding channels
Brazilian Rosewood Custom Bindng
Adding the Purfling First
This area gets filed and sanded flat for the Cocobolo veneer overlay
Cutoff from Back used for Heel Cap
Matching Veneer to the Back Sapwood