#78 is a client build that’s scheduled to be completed this Spring. I’ve had the maple for around 25 years here in the shop. Completion date is approximately 6/2025. This is a Small Jumbo, long scale that will be voiced for a rich, warm sound. Per client specs, it will have a “Matt Thomas” Wedge, sound-port, arm bevel and a sunburst top. The back and sides will be stained to a caramel color.
Cutting bent sides to length for the mold
The "Matt Thomas" Wedge takes shape.
Beginnings - Gluing the tail block
Gluing the linings
Gluing the center back seam reinforcement strip
Back - braces glued and before carving
Braces carved and veneer applied for label
Gluing the X Brace
Souvenir for the Client
Braced top, before "Closing the Box"
Gluing the top
Body now complete, after trimming the excess wood.
Binding the top. Arm bevel area will get flat sanded and then veneer applied.
#82 00-14 – Wenge/Torrified Adirondack Red Spruce
#82 is a guitar that will finally get done this year. I’ve had the back and sides glued up for several years – and now its time to get this one done. Completion date is approximately 6/2025. This is a 14 fret short scale model that should have a nice punchy sound. Wenge is a very underrated tone wood in my opinion and competes nicely with the rosewoods but is less bright. If you are interested, e-mail me. Guitar Sold!
Gluing label background - black dyed veneer
Finished Sitka Spruce bracing on back
Black veneer frame for label
Gluing back in go-bar deck
Label applied after insides finished with satin shellac
Top after bracing carved and sanded
Top about to be glued down
Tail wedge!
Finalizing neck fit
In the spray booth. Sunburst applied and getting ready for the clear coats of urethane.
Curly walnut rosette is coming alive with the clear coats.
#81 00-14 – East Indian Rosewood/Italian Spruce
#81 is a guitar that will make its debut at The Artisan Guitar Show in April 2025. Features perfectly quartered and straight grained East Indian Rosewood and a premium Italian Spruce Top with a custom rosette and vintage Jewitt Sunburst. This guitar will be shipped to Eddies Guitars after the show to be demoed by the very talented team of Matt and Jandro.
Laminated sides after installing tail and heel blocks
Laminated sides detail. Outer rosewood .060", inner Q/S white Oak .050", and inner rosewood .020"
Solid Linings being installed for top. Standard reverse kerf will be installed for the bottom in Spanish Cedar
Back braced with Sitka Spruce
Back getting glued on in the go-bar deck
Back and Sides after 4 coats of Flat Shellac
Rosette for Top
Gluing up the braces for the soundboard
Braced and voiced soundboard
Channel routed for upper brace in the heel block extension
Braced soundboard ready for gluing to body
Preparing the fingerboard before fretting, marks for levelling
Fretting - Installing 1st fret with Jaws
Frets installed
Finessing the final neck fit
Sunburst applied
Measuring Top Finish Thickness - subtract .002 for tape so .004"
#80 – JJ – Honduran Rosewood/German Spruce
#80 is a spec guitar that will make its debut at The Artisan Guitar Show in April 2025. Features insanely figured Honduran Rosewood and a premium German Spruce top. his guitar will be shipped to Eddies Guitars after the show to be demoed by the very talented team of Matt and Jandro.
Honduran Rosewood Back & Side Set for Jewitt OM-C
Fitting of the 3 rim pieces to the mold before gluing heel block and tail block
#79 is a spec guitar that will make its debut at The Artisan Guitar Show in April 2025. Features Torrified Curly Maple and a AAAA Engelmann Spruce top with a gorgeous Jewitt Sunburst. Custom blue mosaic rosette and end wedge. his guitar will be shipped to Eddies Guitars after the show to be demoed by the very talented team of Matt and Jandro.
Shellacked Interior Before Attaching Top
Braced Top
Gluing the top to the back and sides using a go-bar deck and clamps.
Positioning the Peghead Plate and Fingerboard. These both have white purfling lines so they must be perfect to line up.
Measuring the neck angle.
Finished Wedge in Dyed/Stabilized birch burl.
Top bracing profile
Measuring the frequencies of the body, the top and the back so everything is on target.
Ready for Finish
Back before finish
Blue rosette now ops with a black background!
The colors are now all coming together.
Neck gets a sunburst and the back just gets clear finish, no stain required.
Finished Front OM-12SB
Finished Back - OM-12SB
Back Detail OM-12SB
OM-12SB Sunburst on Neck
OM-12SB Side View
#76 – OM-C Cocobolo/Tunnel 13 Redwood
#76 is a client commission and his second Jewitt Guitar. Features perfectly quarter-sawn Cocobolo and Tunnel 13 Redwood, Brazilian Rosewood bindings, and a custom rosette with a figured Ziricote fretboard.
Back after glue up with epoxy and sanded to final thickness. Laying out for sawing.
Linings being glued to sides.
Back getting Sitka Spruce braces
Interior of all Jewitt Guitars are sealed with satin shellac. The top is not.
Interior with label
Segmented pieces of spalted maple before cutting out with circle cutter
Rosette cut out
Rosette glued in.
Finished rosette
Bracing of the top
Top braced and ready to be glued on.
Front view before cutting binding channels
Back view before cutting binding channels
Brazilian Rosewood Custom Bindng
Adding the Purfling First
This area gets filed and sanded flat for the Cocobolo veneer overlay